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- ╛>¬ BUSINESS, Page 63Going Ape for Entertainment
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- A Japanese electronics giant courts Hollywood's MCA for a
- blockbuster merger
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- Imagine if two battling behemoths like King Kong and
- Godzilla decided to join forces. Talk about a knockout
- combination. That's how the entertainment industry reacted last
- week to the disclosure that Japan's Matsushita Electric
- Industrial, the world's largest maker of consumer electronics,
- is negotiating to buy MCA, the American show-business giant, in
- a deal that could be worth more than $7 billion. The
- acquisition would represent an even more titanic version of the
- hardware-meets-software combination pioneered by Matsushita's
- rival Sony, which bought CBS Records for $2 billion in 1988 and
- Columbia Pictures for $3.4 billion in 1989.
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- MCA (1989 revenues: $3.4 billion), based in 420-acre
- Universal City, Calif., is like a department store of American
- amusement. MCA's Universal divisions have produced such
- blockbuster films as The Sting, Jaws, E.T. and Back to the
- Future, as well as such TV programs as Major Dad and Murder, She
- Wrote. Universal Studios Tour in California is the third most
- popular amusement park in the world, after Disney's two U.S.
- attractions. MCA Records is a hit factory with platinum stars
- that include Tom Petty, Bobby Brown and Fine Young Cannibals. In
- book publishing, the company owns G.P. Putnam's Sons, which has
- had best sellers with Tom Clancy's The Cardinal of the Kremlin
- and Amy Tan's The Joy Luck Club.
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- Yet not everything has gone smoothly for MCA lately.
- Cineplex Odeon theaters, an upscale venture that charges as much
- as $7.50 for a ticket, lost $12 million in the first quarter of
- this year after expanding rapidly. And the $640 million
- Universal Studios amusement park in Florida, which opened in
- June, has been plagued by technical failures. But MCA chairman
- and patriarch Lew Wasserman, 77, apparently believes MCA's
- biggest strategic shortcoming is its failure to find a merger
- partner that would enable it to compete with such giants as Fox
- Inc. and Time Warner.
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- Matsushita (1989 revenues: $44 billion) commands an array
- of brands, like Panasonic, Pioneer, Technics, Quasar and JVC.
- The company makes products ranging from stereos to refrigerators
- to bicycles to semiconductors. It is twice Sony's size, and
- developed the VHS videocassette format, which prevailed over
- Sony's Beta in a bloody competitive battle.
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- Yet Matsushita is going through a mid-life crisis of its
- own. Growth in the electronics market has slowed from 20% in the
- 1970s to about 10% in the past decade. Sony's move into the more
- profitable entertainment industry thus presented a challenge to
- Matsushita. By acquiring music and movie companies, Sony gained
- control of the software that helps stimulate the market for
- electronic products. Matsushita had little choice but to do
- likewise. The merger faces one bothersome hurdle: while
- Matsushita has a cash hoard of almost $10 billion and no
- long-term debt, rising interest rates and a sagging Tokyo stock
- market may make financing the acquisition difficult. In Tokyo
- financial experts give the deal no more than a fifty-fifty
- chance of success.
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- Matsushita faces another challenge, which is the difficulty
- of blending its conservative corporate culture with MCA's
- Hollywood approach. The clash was less pronounced for Sony,
- which is considered more worldly and innovative. As did Sony,
- Matsushita is paying for the services of a Hollywood matchmaker,
- superagent Michael Ovitz of Creative Artists Agency, who is
- acting as middleman.
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- Sensitive to the brewing backlash against Japanese
- investors, Matsushita officers are taking pains to characterize
- the MCA bid as a proposed "merger," a word with less aggressive
- overtones than "takeover." While many Japanese bureaucrats are
- uncomfortable about Matsushita's high-profile shopping trip, the
- government would not interfere with the acquisition of MCA. The
- Japanese know that in the 1990s hardware and software will go
- together like song and dance.
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- By Michael Quinn. Reported by Pat Cole/Los Angeles and Barry
- Hillenbrand/Tokyo.
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